Effie
Effie by Sadie Smith
Main Materials : Belle & Sebastian Velvet backdrop curtain
NOTE: All LOVE ME BAG are available to be view in Beautiful Materials Gallery until 11 April - every Sat 10 - 4
This bag comes from thinking about women’s work and the kinds of labour we are taught to value or overlook. Textiles, sewing, mending and patchwork; repetitive work that often goes unseen. I wanted to use unfinished projects offcuts and patches to lovingly re purpose remnants. Effie is made from fabric offcuts from my collections printed in Dundee on cotton drill, patched velvet and cloth with overlocked seams used as decorative detail from an unfinished skirt belonging to a friend’s late mum. I stitched the panels to show her original tacking, seam work and plaid structure while keeping the making visible. Everything was brought back together on the machine at my kitchen table. I enjoyed making her. (No swearing at the machine which is a first. ) There was no pressure on the outcome. Just patching cloth and working on my top stitching which reflects a desire to do, make and consume less and better. Treat her well. She will weather with love. No hot wash.
Based in Glasgow, my practice is shaped by being a mum, designer and hosting textiles led workshops.
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LOVE ME - Curated by artist Nicola Atkinson, the LOVE ME exhibition presented at the Beautiful Materials Gallery, located within the Avenue Shopping Centre. Taking place during and beyond Valentine’s Day and Mother’s Day, the exhibition invites the artists and public to explore the intersection of emotional connection and material necessity. It challenges viewers to reflect on the desire to be loved, while simultaneously addressing a practical logistical problem: how to balance our love for beautiful things with the need to carry our belongings resourcefully.
The exhibition frames this issue through the historical evolution of the carrier bag. The narrative begins in 1870, when American inventor Margaret E. Knight revolutionized packaging by automating the creation of flat, square-bottomed paper bags. This evolution continued into 1962 with Swedish engineer Sten Gustaf Thulin, who invented the plastic carrier bag. Although now often viewed as an environmental scourge, Thulin originally designed the plastic bag as a reusable device intended to save trees. By the 2000s, the organic cotton tote bag became the emblem of sustainability; however, the LOVE ME exhibition highlights a startling counterpoint: such a tote must be used daily for 54 years to truly offset its environmental impact.
To address these dilemmas of consumption and sustainability, the LOVE ME exhibition presents a solution inspired by the resourcefulness of the World War II “make do and mend” campaigns. The Beautiful Materials Gallery features an installation of bags crafted from a repurposed golden velvet backdrop curtain. This specific fabric was gifted to Atkinson seven years ago by the band Belle & Sebastian, having been rediscovered in her art archive. Alternating with the bags, Atkinson is showing 18 landscape photographs framed in black, all showing intimate details of the curtain backdrop. The photographs are printed on soft velvet, recalling the original fabric.
The curtain carries a rich history, originally created for the band’s 2011 “Write about Love” tour. It served as the backdrop for 22 concerts globally, including performances at the Round House in London and the O2 Academy in Leeds. The exhibition posits that this velvet absorbed the “joyful force” of the audiences it stood before. By transforming this material into functional items, the LOVE ME bags act as vessels that carry not only goods but also music, memories, and love, turning a retired stage prop into a cherished, useful object once again.